{"title":"Steidl","description":null,"products":[{"product_id":"three-ships-9783969992494b","title":"Three Ships","description":"\u003cspan style=\"font-weight: bold;\"\u003eThis book explores the uncompromising processes of autobiographical excavation at the heart of Jim Dine’s art today. Here his focus lies on three self-reflective series from the past three years, each in a different medium. \u003c\/span\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eIn the self-portraits of “Drawing the Minutes” Dine less draws with pencil on paper than carves into it, feverishly erasing and redrawing to create a shifting typography of self and a study on the effects of time. The densely painted self- portraits of “Me” comprising oils mixed with sawdust and sand deepen Dine’s acts of looking out and in, each layer of pigment a layer of self-knowledge. 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Leutwyler first saw Halsman’s work as a teenager in an exhibition at the International Center of Photography in 1979; now, more than 40 years later, his fascination has finally found fruition.\u003cbr\u003e\u003cbr\u003eWith his trademark approach, both forensic and imaginative, he teases out the meanings held within inanimate objects and how they reveal their owner’s personality. 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Subtropical fever dream. With forms of nature and culture found nowhere else, Florida is unique. It is also among the most elusive and misunderstood of places. Anastasia Samoylova photographs Florida on intensive road trips. Walker Evans (1903–75) photographed it over four decades. Twisting the visual clichés, these two remarkably discerning observers convey Florida’s dizzying combination of fantasy and reality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eEvans witnessed modern Florida emerging in the 1930s, with its blend of cultures, waves of tourism, stark beauty and blatant vulgarity. He photographed there until the 1970s, making Polaroids that still feel contemporary. Samoylova inherits what Evans saw coming. With intelligence and humor, she picks her way through the seductions and disappointments of a place that symbolizes the contradictions of the United States today. 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Over the next few months, using scrap wood from an old bookcase, hand tools that once belonged to his father and grandfather, and block printing ink, Adams affirmed his own basis for hope in the 21 scenes that appear in this book.","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42817389527120,"sku":"9783969990179B","price":24.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783969990179-l.jpg?v=1785864751"},{"product_id":"dorothy-kunhardt-collected-works-9783969990148b","title":"Dorothy Kunhardt: Collected Works","description":"\u003cspan style=\"font-weight: bold;\"\u003eCelebrating one of the most dynamic forces in American children’s literature, \u003cspan style=\"font-style: italic;\"\u003eDorothy Kunhardt’s Collected Works\u003c\/span\u003e is the first survey of the life and work of this beloved author. Best known for Pat the Bunny (1940), Kunhardt was a tireless innovator, publishing more than 40 books in three decades. Today, Pat the Bunny is still in print and has sold nearly ten million copies.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eKunhardt dictated her first story to her father at the age of three, and went on to become an inventive author, illustrator and creator of children’s books. Her first stab at writing and illustrating was the outlandish devil-may-care picture book Junket Is Nice, featuring a little boy who imagined he had more sense than the rest of the world combined. Published in 1933, Junket received rave reviews, gave Depression-era families the perfect excuse to share a good laugh, and was an immediate bestseller. Many books followed, all notable for their originality in concept, format and design—among them \u003cspan style=\"font-style: italic;\"\u003ePat the Bunny\u003c\/span\u003e, \u003cspan style=\"font-style: italic;\"\u003eThe Telephone Book\u003c\/span\u003e (1942) and \u003cspan style=\"font-style: italic;\"\u003eTiny Animal Stories\u003c\/span\u003e (1948)—and bearing the mark of their author’s unfettered imagination and seemingly boundless zest for living.\u003cbr\u003e\u003cbr\u003eDrawn entirely from the Kunhardt family collection, this publication brings Dorothy Kunhardt’s work to life through photographs, letters, poetry, drawings, book mock-ups, unpublished manuscripts, as well as reproductions of first-edition books. 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From young to old creative forces, emerging to career- peaking, world-famous or as yet unknown, Schmidt’s images, captured over a period of twelve years, are an incisive look into the art world of today. \u003cspan style=\"font-style: italic;\"\u003eArtists II \u003c\/span\u003edepicts 166 artists, including John Baldessari, Ai Weiwei, Glenn Ligon and Cindy Sherman, in their studios or work environments, showing the practitioners in their most intimate moments—in the process of creation. A revealing text by each artist accompanies his or her portrait; some are literal descriptions of the encounter, others are poetic or enigmatic. 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Epstein was able to enter a wide swath of subcultures that included a striptease cabaret, the Royal Bombay Yacht Club, Bollywood movie sets, an old-time Punjabi wedding band, and religious pilgrims both Muslim and Hindu. In India is the fruit of Epstein’s deep and extended experience of India, where separate worlds converged.","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42818057240656,"sku":"9783958299672B","price":26.49,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783958299672-l.jpg?v=1785867443"},{"product_id":"rocks-and-clouds-9783958291607b","title":"Rocks and Clouds","description":"\u003cspan style=\"font-weight: bold;\"\u003eIn his newest series, Mitch Epstein investigates permanence and impermanence by photographing rocks that last millions of years and clouds that evaporate before our eyes. 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Cloud wedges engulf a cargo ship, buildings recall Constructivist paintings and boulders are imposing elders in the middle of a park or sidewalk. \u003cspan style=\"font-style: italic;\"\u003eRocks and Clouds\u003c\/span\u003e suggests society's inability to control time and tame nature. While it seems impossible to make a fresh picture of New York, Epstein gives us a surprising portrait of it.\u003cbr\u003e\u003cbr\u003eA pioneer of 1970s color photography, Mitch Epstein has photographed the human engagement with the landscape for the past 40 years. Epstein has won numerous awards including the Prix Pictet, the Berlin Prize and a Guggenheim Fellowship. 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At the time the pictures were made, the hand of man had not so much disfigured as domesticated that paradise, leaving its mark of intrusion almost casually, with the assurance of absolute triumph. Adams recorded this intrusion with neither judgment nor irony; the land he shows has simply been changed, reduced, made ordinary. Yet a second look makes it apparent that the hand of man has, after all, its limitations.\u003cbr\u003e\u003cbr\u003eFirst published in 1980, \u003cspan style=\"font-style: italic;\"\u003eFrom the Missouri West\u003c\/span\u003e marked a watershed in the history of landscape photography by reclaiming the West’s sublimity as worthy of unromantic consideration. 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On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamor as they work to perfect their craft. 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The answer lies in \u003cspan style=\"font-style: italic;\"\u003eProcess – People – Product\u003c\/span\u003e, three photobooks and a text booklet that form a dynamic portrait of the company and lead us behind its normally closed doors.\u003cbr\u003e\u003cbr\u003eIn “\u003cspan style=\"font-style: italic;\"\u003eProcess\u003c\/span\u003e” Timm Rautert takes us directly into Sartorius’ laboratories and production facilities, depicting what he calls an “architecture of process” and conveying the sense of wonder it creates. “\u003cspan style=\"font-style: italic;\"\u003ePeople\u003c\/span\u003e” is Juergen Teller’s candid look at the creative personalities that drive the company, though his fascination goes far beyond any standard portrait: “I was keen to photograph everything: the building, the flowers, the donkey, life around the lunchtime ice-cream parlor, the high-tech machines.” Finally, Henry Leutwyler brings a selection of machines from Sartorius’ rich archive to life, from an imperial patent of 1890 to today’s most advanced circuit boards, microbalances and bioreactors. The result is an intricate publication that not only celebrates a groundbreaking organization but reminds us of the vital relationship between science and technology.","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42819628433488,"sku":"9783958298644B","price":41.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783958298644-l.jpg?v=1785876689"},{"product_id":"polaroid-sx-70-9783958295032b","title":"Polaroid SX-70","description":"This book is a facsimile of an album of Eggleston’s Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and handmounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston’s Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—are familiar Eggleston territory, but fascinatingly all of these Polaroids were taken outdoors. 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While humanity entered the age of robots and cyborgs long ago, robot “co-workers” are increasingly taking on more of the workload in modern industry, and numerous technologies are seamlessly incorporated into the human body, releasing its unseen potential.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42819833102416,"sku":"9783969991138B","price":18.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783969991138-l.jpg?v=1785877549"},{"product_id":"log-9783969990414b","title":"LOG","description":"\u003cspan style=\"font-style: italic;\"\u003eLOG (March 22, 2019–May 17, 2020)\u003c\/span\u003e, produced daily over a period of fourteen months, is a collection of drawings, quotations, collages, photographs, casual commentaries, notes on news and weather events, and original texts by Roni Horn. 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In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation \/ Steidl Book Prize— presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.\u003cbr\u003e\u003cbr\u003eShabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates that he later shared with their friends and families. 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Have you ever considered the complex skills involved in creating a cocktail—the centuries of research, experimentation and imagination that come together to produce that unique and exquisite blend of flavors in your cocktail glass?\u003c\/span\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThis book explores these questions, and many others, by celebrating Pernod Ricard’s faithful restoration of Gustav Eiffel’s iconic distillery built in Thuir in 1873, the origin of many of France’s most distinguished aperitifs, including Pernod Absinthe, Byrrh, Lillet, Ricard and Suze.\u003cbr\u003e\u003cbr\u003eThe first part of this book provides an intimate photographic tour of the distillery, revealing rarely seen images of the antique oak casks—among them the largest in the world, with a capacity of a million liters—copper pots and bubbling laboratory equipment, against the backdrop of Eiffel’s 19th-century stained glass windows and intricate ironwork. The Thuir distillery also boasts a recently refurbished bar, styled in the manner of the quintessential English club. 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In a 1956 letter to fellow writer Albert Murray, Ellison underscored photography’s importance to his creative process: “You know me, I have to have something between me and reality when I’m dealing with it most intensely.” Accompanying the photographs in this book are several essays situating Ellison’s work within his broader career as a writer, as well an excerpt from his 1977 essay “The Little Man at Chehaw Station: The American Artist and His Audience.”\u003cbr\u003e\u003cbr\u003eWhat does American society mean when regarded out of my own eyes, when informed by my own sense of the past and viewed by my own complex sense of the present? - Ralph Ellison, introduction to Shadow and Act, 1964\u003cbr\u003e\u003cbr\u003eCo-published with The Gordon Parks Foundation and the Ralph and Fanny Ellison Charitable Trust.","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42820234182736,"sku":"9783969991800B","price":33.49,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783969991800-l.jpg?v=1785879017"},{"product_id":"let-s-see-9783969990087b","title":"Let's See","description":"\u003cspan style=\"font-style: italic;\"\u003eLet’s See \u003c\/span\u003eis a photo-novel of Dayanita Singh’s earliest years as a photographer, a return to a time when she did not yet consider herself a photographer, the probing remembrance of “an eye I no longer have access to.” Singh has recently poured through 40 years of her archive—80% of which remains unseen—exploring scans of her contact sheets and being amazed by the gentle and tender images from the 1980s and ’90s she had since forgotten—hostel roommates, friends with whom she lived, family, weddings, funerals; portraits of herself and those who would become important characters in her life: her mother Nony Singh, Zakir Hussain, Mona Ahmed whom she depicted in the emotive visual biography \u003cspan style=\"font-style: italic;\"\u003eMyself Mona Ahmed\u003c\/span\u003e (2001).\u003cbr\u003e\u003cbr\u003eSingh’s first camera, a Pentax ME Super with a 50mm lens, was a gift from the German publisher Ernst Battenberg (1927–92), and with it she “made photos of everything I could, trying to make a roll of film last as long as possible,” creating contact sheets of all her images, but realizing the rare luxury of an individual print only for a publication or a book project. “I call this book \u003cspan style=\"font-style: italic;\"\u003eLet’s See\u003c\/span\u003e,” says Singh, “because these images are about exactly that: how we see, what we don’t see, what only the camera sees…”","brand":"Steidl","offers":[{"title":"Bargain","offer_id":42820290019408,"sku":"9783969990087B","price":15.49,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0592\/8173\/5760\/files\/9783969990087-l.jpg?v=1785879176"},{"product_id":"leben-und-tod-9783958297456b","title":"Leben und Tod","description":"\u003cspan style=\"font-style: italic;\"\u003eLeben und Tod\u003c\/span\u003e is the latest collaboration between these two seminal photographers and is the culmination of their joint exhibition at artspace AM, Tokyo, in 2019. 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In the artist’s words: “Besides being a diary, having the quality of a diary, the exhibition is essentially about drawing.” Present here, then, are members of Dine’s family. His wife photographer Diana Michener appears in multiple, heavily worked portraits. Images of close friends and fellow creatives move throughout the publication, including drawings of artist Susan Rothenberg, printer Aldo Crommelynck, poet Robert Creeley, and printer and publisher Gerhard Steidl, with whom he created this book. \u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eThe blemishes, wrinkles and even stains that imprint themselves upon skin similarly appear upon the surfaces of Dine’s drawings as he encounters and grapples with his subjects over time. Providing a poignant reflection upon a career characterized by digesting the world through making, Dine concludes: “This is what I’m left with. 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Photographed in cooperation with the World Holocaust Remembrance Center Yad Vashem, the portraits mark the 75th anniversary of the liberation of Auschwitz on 27 January 1945.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThese compelling pictures capture the weathered faces of Jewish men and women who witnessed and endured the atrocities of the Holocaust, allowing viewers to discern their struggles and exceptional physical and spiritual resilience. Presented close-up and larger-than-life, every feature of Martin Schoeller’s subjects provides us with a piece of personal and collective history: their faces observe us, their gazes hold us. The lines they bear evidence horrors endured, as well as the triumph of their survival and building their lives anew. 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