{"title":"Art and Photography — Criticism","description":null,"products":[{"product_id":"the-candy-store-funk-nut-and-other-art-with-a-kick-9783777438399b","title":"The Candy Store: Funk, Nut, and Other Art With a Kick","description":"\u003cspan style=\"font-weight: bold;\"\u003eAdeliza McHugh helped put the whimsical, funky, and irreverent aesthetic of California’s Central Valley on the art-historical map at her legendary Candy Store Gallery. Published on what would be the 60th anniversary of the gallery’s founding, this catalogue is the most significant to-date on the Candy Store and celebrates, as McHugh liked to say, art with a “kick.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn 1962, Adeliza McHugh opened the Candy Store Gallery in Folsom, California. The business began as a candy store, but when that closed, McHugh converted it into an art gallery. 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Taking this as a starting point, in this book, Beatrice von Bismarck outlines the curatorial—that field of cultural activity and knowledge which relates to the becoming-public of art and culture—as a domain of practice and meaning with its own structures, conditions, rules, and procedures. \u003c\/p\u003e\n\u003cp\u003eVon Bismarck focuses on the relations created by the curatorial—relations that also constitute it. By concentrating on the dynamic fabric of relations between human and nonhuman participants, she carries out a shift within the discourse on the curatorial: rather than foregrounding partial definitions of the activity of curating, the subjectivization of the curator, and the presentation format of the exhibition, she emphasizes the interplay of all these factors. She proposes a conceptual framework geared toward highlighting the activity, the subject position, and the resulting product as always already dynamically interrelated in its genesis, articulation, and function. 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